From October 27, 2021 al January 22, 2022
The exhibitions are open according to the procedures established by the current law on anticovid matters. From Friday 6 August at the entrance of museums, exhibitions, other institutes and places of culture it is necessary to show the identity document and the Green pass or the certificate of recovery from the Sars-CoV-2 infection or the negative result of a test fast molecular or antigenic. There may also be specific access methods (booking obligation, modified timetables, entry quotas, protective devices …) to be checked directly on the organizers’ website, before going to the site.
Place: Still Photography, via Zamenhof 11
Opening time: 10-18 from Monday to Friday. Closed on Saturday and Sunday
Cost: Free admission
Where to buy: 0 – free admission
Manager: Still Photography
The exhibition dedicated to Ferdinando Scianna (Bagheria, Sicily, 1943) presents 50 images that tell, through many of his most iconic photographs (from travels to Spain, Latin America, New York, Paris to his beloved Sicily), the career of the great artist contemporary, also known for his uncommon narrative expertise and skill in the noble art of aphorism.
Navigating through his phrases, as well as through his photographs, is an exciting journey: “My images, and not just the Sicilian ones, are often very black. I see and compose starting from the shadow. The sun interests me because it gives shade. Dramatic images of a dramatic world ”.
Scianna has received numerous and important international awards; he has published over sixty volumes; he has worked in reportage, portraiture, fashion and advertising. He writes about photographic and communication criticism, in recent years he has practiced a hybrid literature, crossed on the text / image dialogue (ie on the First Commandment which every illustrated book should obey).
“My job is to take photographs – says Scianna – and photographs cannot represent metaphors. The photographs show, they do not prove ”.
A phrase that finds immediate correspondence in one of his best-known photographs in the exhibition, taken in Beirut in 1976 during the Lebanese civil war, where a Maronite Christian fighter is holding, in shooting position, a Colt M16 automatic rifle, on the butt a decal, oval, of the Madonna.
WARNING: the editorial staff assumes no responsibility, and therefore cannot be held responsible, for any errors in indicating the dates of the various events which are to be considered purely indicative. We invite readers to verify the accuracy of the dates and times of the various events by contacting the organizers in advance at the corresponding telephone numbers or by visiting the corresponding website.
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