Estevez is asked for an opinion on what Molly Rongwald wrote a few years ago and who, in the light of #MeToo, had talked about the films of the well-known Brat Pack, highlighting what could have been some passages that were not problematic at the time but that , in light of the current sensitivity, they could be perceived as such. In a long speech on the New Yorker dated 2018, Molly Ringwald spoke of the relationship of deep respect that existed between her and John Hughes, explaining that she also convinced him to remove from the film in question a free nude scene in which Mr Vernon was spying. the gym teacher intent on swimming naked in the pool, telling, among other things, of when, at a young age, she managed to avoid ending up in uncomfortable situations, also thanks to the providential intervention of third parties.
On The Breakfast Club Emilio Estevez explains:
If I don’t have to watch my films, I don’t. I don’t know if you know what I mean. I know that Molly was very active in re-contextualizing the film, but as far as I’m concerned, every work of art, whether it’s a film, a painting or a song, is a victim of its time. As if it were set in amber if you like. We really intend to go break that amber to ask ourselves the question “What were we thinking about the weather?”. These were doubts that did not arise at the time. This is why I think we should think in a different way, not so much in reference to the film as more about the minds behind these films and what they were thinking.
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