After a decidedly positive imprint on the part of both, the first problems came when Fabio announced to his new wife his intention to go on vacation to Formentera, a trip he had decided even before participating in Marriage at first sight, without her. The jealousy, the still bitter trust and the terror that something on the island could take something with someone else did not make Clara sleep peacefully and, in some ways, she was right.
During the last episode broadcast on Real Time on April 7 we discover, in fact, that Fabio has lost his nuptial faith, taking Clara by surprise even if, perhaps, unconsciously prepared. The thing, however, will not ruin the idyll between the two which, at the moment, is the strongest among the other couples protagonists of the experiment, especially when the yardstick is represented by Salvatore Bonfiglio and Santa Marziale which, despite the exercises prescribed by experts to bring them closer, are colder than ever. The trip on the quod, from being a pleasant experience, has been transformed (who would have said) into the umpteenth occasion for discussion: Santa asked for control of the vehicle, but he wanted to do it in complete autonomy, interpreting Salvo’s advice inappropriate interference. The result was that the quod got flooded and both had to ask for the intervention of a staff boy because, once again, they were unable to cooperate, let alone communicate.
From the parts of Francesco Muzzi and of Martina Pedaletti, on the other hand, things continued with the right amount of serenity. The dark moments have also happened to them, especially because of her excessive paranoia, but to be the master in their experience is above all the smile and the desire to continue without expecting anything, collecting what the days can give them. This, after all, is the spirit that all guys who sign up for casting should have Marriage at first sight: the desire to get involved to discover something more about themselves and the person that the experts choose to place next to them. This is not a trip to the supermarket: i husbands and wives are not chosen on the basis of aesthetics or imprinting. It is a leap of faith towards a television experiment that, if taken for what it is, also manages to give something as good as it happened to Marco Rompietti and Nicole Soria after the end of the fifth edition. Ah, if they are the others understood it.
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