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Milan, Teatro alla Scala – Concert by Vittorio Grigolo – Connected to the Opera


Showman to the core, unleashed on the stage whether it’s a costumed opera or a singing concert, Vittorio Grigolo swept Monday evening at Teatro alla Scala with a recital that laid out without worries a succession of successful hits taken from the most famous works of the repertoire, a little in the style of the glorious Martini & Rossi Concerts of ancient memory, in which great protagonists of the opera scene (from Callas to Simionato, from Di Stefano in Bruscantini) entertained the radio audience amiably with their “workhorses”. Here then is our very Italian tenor from Arezzo juggling, splendidly accompanied on the piano by Vincenzo Scalera, between pages of the most frank musical Romanticism and the opéra-comique languors of the French school.

It starts immediately at its best with an excellent execution of the Donizetti Duke of Alba, that is the aria “Angelo chaste and beautiful”. Following the famous “Furtiva lagrima” from The elixir of love, where exhaustion alternates with moments of heated transport, a little along the lines of the great Giuseppe di Stefano, a tenor whom Grigolo at times seems to want to evoke in his interpretative passion and in his repertoire choices. Abrupt change of climate with a “Woman is mobile” from Verdi Rigoletto, approached with an almost militaristic air by the tenor, who then went on to chisel a “Frosty hand” from Bohemian by Puccini with a lot of pathos (and sung in tone).

Transcolouring in the very French atmospheres of Jules Massenet comes “The dream” of Des Grieux from Manon, with better sustained pianissimi than usual, charm replicated by Grigolo in the aria of Roméo “Ah! Lève-toi, soleil “. During the performance of Charles Gounod’s page, the tenor even finds a way to “roll around” on the stage to better interpret the character. It then jumps to the foot of the Italian Verismo with a beautiful performance of “Lamento di Federico” fromArlesiana by Cilea and, above all, with a superb recitative and aria from Tosca by Puccini. Rarely in recent times we have heard a “E lucevan le stelle” so experienced and participated.

The end of the concert coincides with one performance estranged and alienating from our Vittorio who, simulating the presence of a virtual audience, gives four encores: his magnificent debut in the role of Don José from Carmen by Bizet with “L’aria del fiore”, a stentorian and little intimidated “Pourquoi me réveiller” from Werther by Massenet, an intriguing and sunny “’A vucchella” by Tosti and an explosive “O sole mio”, very national-popular but fully justified.

Teatro alla Scala – Season 2020/21
SINGING RECITAL
Arias by Donizetti and Salvi, Donizetti, Verdi,
Puccini, Massenet, Gounod, Cilea

Vittorio Grigolo, tenor
Vincenzo Scalera, piano

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Milan, February 22, 2021

Here the video of the concert:
https://www.youtube.com/watch?v=XbH7fcu-WSM&t=2174s&ab_channel=TeatroallaScala

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https://www.connessiallopera.it/recensioni/2021/milano-teatro-alla-scala-concerto-di-vittorio-grigolo/


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